By Mary Abbe
©2004 Minneapolis-St. Paul Star Tribune
April 11, 2004
When Minneapolis photographer Wing Huie and his ceramicist wife, Tara, set
off in her new neon-green Volkswagen bug in August 2001, they had no fixed
agenda. They planned to spend up to a year on the road, following their whims,
seeing the country, maybe taking some pictures on the way. Or maybe not.
Nine months and 39 states later, they returned with more than 7,000 photos
and 40 hours of videotaped interviews with dozens of people from Washington,
D.C., to Sand Point, Idaho, and Honolulu. They've distilled that vast sea of
words, photos and moving images clips of Elvis impersonators, law professors and
railroad workers; photos of landscapes, streetscapes and sky into an exhibition
opening Friday in the freshly renovated and relocated galleries of the Minnesota
Museum of American Art in downtown St. Paul.
Called "9 Months in America: An Ethnocentric Tour," the show
promises a distinctly Asian-American perspective on the country. The
opening-night party, too, will be an extravaganza of Asian-flavored music and
performances ranging from traditional tunes performed on a pipa, a Chinese
string instrument, to alternative pop by "Watching Leona," a young
Hmong band, and readings by writers of Chinese, Japanese, Korean and Indian
heritage. The headliners flying in from Texas are award-winning Elvis
impersonator John Newinn and his father Henry Newinn, a one-time Vietnamese
refugee who is founding president of the Houston-based Asian Worldwide Elvis Fan
Club.
"It's about America, but in this America, Asians are the majority,"
said Wing Huie, a Duluth native of Chinese heritage. "A lot of it is
Asian-centric, but it's not exclusively that."
The show includes 105 photos in color and black-and-white, all taken by Wing,
and three videos of roughly 60 minutes each that will run continuously in the
galleries. The videos are a collaboration between Wing, who did most of the
interviewing, and Tara, the primary camera-handler. Mark K. Tang, a Hong
Kong-born, American-educated filmmaker now based in Minneapolis, helped edit and
produce the videos, which are montages of encounters with mostly Asian-Americans
across the country.
"This trip was a personal exploration for me," Wing said recently
during a break at Tang's studio in south Minneapolis, where he and the filmmaker
were putting the finishing touches on a rough cut of the videos.
Tara was in France "painting a castle," he explained. That is, she
was helping her sister, a decorative painter who specializes in faux finishes,
rehab a small derelict castle that Twin Cities friends are converting into a
bed-and-breakfast outside of Paris. She'll be back in time for the opening
shindig Friday, he added.
The stereotypical view of Asians in the United States assumes they live
primarily in urban areas like San Francisco's Chinatown or Los Angeles'
Japantown, he said. Huie was more interested in the experiences of his
compatriots in such small towns as Sand Point, where they met Connie Shan, a
Chinese-American waitress, who laughingly describes herself on video as "an
Okie from Muskogee" who polished her English by singing Connie Francis
ballads. Frank Wu, a Washington, D. C., law professor and author of
"Yellow: Race in America Beyond Black and White," jokes about being a
"professional Chinese" who spends his time explaining his people to
whites.
The most touching and incongruous story is that of Henry Newinn, who has
transformed his Houston home into a shrine of Elvis memorabilia. He tells of
hearing Elvis' music as a child growing up in Vietnam where American soldiers
played it. Later as a refugee in the United States, he was inspired by the story
of the poor, under-educated Mississippi boy whose talent made him a wealthy pop
star. "Always our morale was poor, low self-esteem," Newinn said of
his refugee years. "But we look at Elvis and . . . If he can do it, why not
us?"
"9 Months" is in some ways a natural extension of Huie's earlier
photographic projects. In 2000, he finished "Lake Street USA," a
four-year effort to photograph the ethnic, racial and economic diversity to be
found on that Minneapolis street. Earlier he had photographed residents of St.
Paul's ethnically mixed Frogtown neighborhood. Both projects resulted in books.
The University of Minnesota Press, which issued "Frogtown" in 1996,
also plans to publish "9 Months in America." The "9 Months"
trip was made possible by a $33,000 Leadership Initiative in Neighborhoods grant
from the St. Paul Companies and a $5,000 travel grant from the Jerome
Foundation.
"I've always been conscious in my work, and especially in this work,
that I'm collecting points of view," Huie said, adding that he tried to let
people tell their own stories without interpreting or criticizing them.
"We're not making a political documentary," Tang said.
"It's not about the way things should be, but about the way things
are," Huie said. "How do we deal with this multicultural, post-globalism
era where people are either too sensitive or too insensitive, depending on your
point of view? By and large, our points of view are ethnocentric, but even that
is just my point of view."
If You Go
9 Months in America
What: New show of 105 photos by Minneapolis artist Wing Young Huie
plus three videos Huie and his wife, Tara, made on a nine-month road tour of 39
states.
When: Sat.-Aug. 1.
Party: 8 p.m.-1 a.m. Friday. $10 advance, $12 at door.
Where: Minnesota Museum of American Art, 50 W. Kellogg Blvd. at Market
St., St. Paul. 651-292-4355
Tickets: Exhibition $5, free Thursdays.